Description


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Room Details

Dimensions: 14’ × 23’  Medium
Ceiling: 8’


Components Toggle details

    • Speakers: Odeon Audio No. 33 (on order)
    -
    • Amplifier: Allnic A-6000
    Silver.
    With Genalex Gold Lion PX300Bs.

    • Phonostage: Thomas Mayer D3a Phono Preamplifier
    -
    • Linestage: Thomas Mayer 10Y Line Preamplifier
    -
    • Turntable: Reed Muse 3C
    White finish. 

    I've experimented with both drive systems and I'm using the friction drive rather than the belt drive. 

    I've replaced the stock power supply with a linear power supply.

    • Tone Arm/Phono Cable: Cardas 34 AWG Clear
    • Tonearm: Airtangent 1b
    -- I've tried and owned a number of top pivoting tonearms, including those from Reed and Schröder, but I prefer the AT by a wide margin.
    • Cartridge: Currently shopping for a MC (was London Decca Reference)
    -
    • CD Transport: CEC TL5
    Belt-drive transport.
    • DAC: Audio Note UK DAC 0.1x
    Silver
    • Distributed subwoofer system: AudioKinesis Swarm Subwoofer System
    4 walnut subs; 2 amplifiers.
    • Interconnects, Speaker Cables, Power cords: an assortment
    Crimson R.M Music Link
    Oyaide
    Power Cords: Volex 17504
    Some pro audio stuff.

    I used to spend a lot of money on wire but don't anymore
    • Power Treatment: Akiko Audio Corelli
    -
    • Grounding: Entreq Silver Tellus
    With four Siltech Zero Ohm Link grounding wires. (9 AWG)
    • Room Treatment: Stein Music Harmonizer System
    6 Harmonizers (all of them have been upgraded to the "Signature" versions). 

    Though I have 5 Blue Diamonds and 9 Black Stones, I'm not currently using any of them. I find that the Harmonizers, on their own, sound most natural with my speakers and room.
    • Room Treatment: Stein Music E-Pads
    on the windows
    • Record and stylus treatment: Stein Music DE3 LP Conditioner
    just when you thought vinyl couldn't sound any better...
    • Record and stylus treatment: Keith Monks, The Archivist. etc.
    Liquid for RCM: AUDIO INTELLIGENT - PREMIUM ONE-STEP FORMULA #6. 

    Stylus cleaning: Mr. Clean Magic Eraser. 

    LP cleaning: Compressed air machine or the Nagaoka CL-1000 Rolling Record Cleaner.  

Comments 179

222222&text=ex
Owner
*interact with the room

exlibris

222222&text=ex
Owner
That's definitely a drawback. I hate seeing wires everywhere. I recently had new floors put in and the swarm isn't currently hooked up. I'm waiting for new speakers before I put it back in. I want to get a taste of how the speakers intact with the room first.  
I found these clips on Amazon that pin the wires to the baseboards - looks pretty tidy. 

exlibris

Center
Are all of your Swarm subs behind your gear?  I think I see one in each of the corners behind the speakers.  I like the idea of the Swarm system... I just don't know If I'd feel comfortable having them spread throughout my listening space, with cables strewn around the room.

pdreher

222222&text=ex
Owner
New system picture showing temporary Odeon Midas loudspeakers.

exlibris

222222&text=ex
Owner
New speakers on order.

exlibris

222222&text=ex
Owner
New amplifier added.

exlibris

222222&text=ex
Owner
Speaker, amp, and cartridge change is coming.

exlibris

222222&text=ex
Owner
System photo updated.

exlibris

222222&text=ex
Owner
I just realized that I didn't answer your question about the low-wattage 45 amp:
To power my speakers in my room to the listening levels that I like, my amp/speaker combination is, unfortunately, not ideal.

exlibris

222222&text=ex
Owner
Guf:
I've always been a fan of active preamps.
I think you might find that your system sounds more powerful and expansive when you add one.
When I added the 10Y to my system it was, subjectively, as if I had gone from 2 watt amp to a 20 watt amp.  The preamp that it replaced was an Audio Note M6, which itself sounded very robust (especially with upgraded tubes) but not like the 10Y.
I've never used the Mayer 45 with a passive pre so I can't say whether an active pre is a must and I would certainly never say that the 10Y is a must.  There are lots of great preamps out there.  

exlibris

128x128
love your set up and interested in your experience using low wattage Thomas Mayer. I only own a power amp and no preamp.  I'm using a Slagle passive.  Is the 10y pre amp a absolute must? in your experience?  I know most people run an active pre but curious if you have an opinion.

guf

222222&text=ex
Owner
New preamp added.
Photos to follow soon.

exlibris

222222&text=ex
Owner
Replaced the old rack with a new one and updated the photo of the system.

exlibris

222222&text=ex
Owner
Added:
High-pass filter between the preamp and the main amp.  The main speakers are now down 3dB at 60Hz (9dB at 30Hz etc.).  The device is passive and uses a small Audio Note UK capacitor.  
This takes a lot of strain off the main amplifier.  60Hz and below is largely covered by the subwoofer system.

exlibris

222222&text=ex
Owner
Added:
Distributed subwoofer system: AudioKinesis Swarm Subwoofer System

exlibris

222222&text=ex
Owner
Cunningham CX-345

exlibris

222222&text=ex
Owner
Output tubes in the amplifier changed to NOS Cunningham globe-shaped 45s.

exlibris

222222&text=da
Thanks. Well stated and on point regarding the benefits from the Corelli, and especially the "no drawbacks" point.

Ag insider logo xs@2xdavid_ten

222222&text=ex
Owner
I've always struggled with AC in my condo and have borrowed many expensive  power conditioners and power regenerators to try and deal with it.  In every case the cure was worse than the disease.  The Akiko Audio Corelli simply plugs into an extra outlet and none of your gear plugs into it.  The results are amazing.  Everything becomes more natural, more effortless, and more three-dimensional.  And best of all, there are no drawbacks.

exlibris

222222&text=da
Gorgeous front wall! What are your impressions of the Akiko Audio Corelli?

Ag insider logo xs@2xdavid_ten

222222&text=ex
Owner
Added:

  • Power treatment: Akiko Audio Corelli

exlibris

222222&text=ex
Owner
My cartridge can't track that track even with the volume off so it isn't a vibration thing.

exlibris

222222&text=ex
Owner
System photo updated.

exlibris

222222&text=ex
Owner
Hi bigamp,
Thank you for the compliment.
That's a good question.  I'll have a look at my cabling and see if I can move the table more toward the centre of the rack.  The only time that I have noticed a problem is on a track on "Sea Change" by Beck.  The stylus can't hold the groove near the end of the song.  I don't think this is because of vibration caused by the speaker but I could be wrong.  As an experiment, I'll temporarily move the table out in front of the preamp (on the floor - well away from both speakers) and try and play that track.  The floor beneath the hardwood is 8" of poured concrete so there shouldn't be any movement there.

exlibris

222222&text=bi
Hi Exlibris.  Beautiful system and room.  I've been following your comments about the system's progress over the years.  Congrats on your great results.  I'm by no means an expert on vinyl, but I do wonder if having your TT placed "in front of" your speaker introduces any vibration into the mix?

bigamp

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